video

Elize from Jacques Magazine on Vimeo.

Luft Films and Jacques Magazine Presents Elize
Directed by Jonathan Leder
Cinematography by Kevin Schaefer
Produced by Danielle Luft
See more at www.Jacquesmag.blogspot.com

they don’t play the song on the radio
they don’t show the tits in the video
they don’t know that we are the media
they don’t know that we start the mania
i don’t want to see but i’m making you
ass is off it’s seat and i’m shaking you
walking down the street i’m the lady – ja
showing off my map of tasmania

soft and sweet and shape like a triangle!
some girls want no shape and they shave it all
i think sad it hurts with the stubble
walk in named look like an eight year old!
i say grow that shit like a jungle
give ‘em something strong to hold onto
let it fly in the open wind
if it get too bushy you can trim

they don’t play the song on the radio
they don’t show the tits in the video
they don’t know that we are the media
they don’t know that we start the mania
i don’t want to see but i’m making you
ass is off it’s seat and i’m shaking you
walking down the street i’m the lady – ja
showing off my map of tasmania!!!

A lovely tea party setting, and LOTS of spanking….

[via Kink+Culture]

I am happy to join with you today in what will go down in history as the greatest demonstration for freedom in the history of our nation.

Five score years ago, a great American, in whose symbolic shadow we stand today, signed the Emancipation Proclamation. This momentous decree came as a great beacon light of hope to millions of Negro slaves who had been seared in the flames of withering injustice. It came as a joyous daybreak to end the long night of their captivity.

But one hundred years later, the Negro still is not free. One hundred years later, the life of the Negro is still sadly crippled by the manacles of segregation and the chains of discrimination. One hundred years later, the Negro lives on a lonely island of poverty in the midst of a vast ocean of material prosperity. One hundred years later, the Negro is still languished in the corners of American society and finds himself an exile in his own land. And so we’ve come here today to dramatize a shameful condition.

Full text at the American Rhetoric site.